She takes the pen with a thanks and grabs a napkin. She works fast--sketching the brief flashing of what she's seen. Sometimes when she draws a vision, Kennedy only sees the details and doesn't see the full image of the vision until she steps back from the finished piece, and she doesn't like the message of this one. She slides the napkin across the counter--it's image strikingly similar to one she's painted before, a young Asian woman, sleeping underneath the water.
"Do you know her?" Normally she hides her visions and draws them later, but she's seen this girl before. That man Bach recognized her. And the pie man in front of her triggered the vision. In her experience, that told her he would have something to do with the image on the napkin.
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She takes the pen with a thanks and grabs a napkin. She works fast--sketching the brief flashing of what she's seen. Sometimes when she draws a vision, Kennedy only sees the details and doesn't see the full image of the vision until she steps back from the finished piece, and she doesn't like the message of this one. She slides the napkin across the counter--it's image strikingly similar to one she's painted before, a young Asian woman, sleeping underneath the water.
"Do you know her?" Normally she hides her visions and draws them later, but she's seen this girl before. That man Bach recognized her. And the pie man in front of her triggered the vision. In her experience, that told her he would have something to do with the image on the napkin.